The Portobello Market » Antique Jewellery

Cameo brooch

The Thimble Society — Thu, 17 May 2012 08:16:00 +0000

Carved shell cameo set in surround of 9 ct gold. Back view has gold pin and separate safety chain. Subject is a Greek style woman giving water to a phoenix or mythical bird.

Blue Chalcedony and diamonds broach by Tillander

Peter Szuhay — Tue, 08 May 2012 12:45:28 +0000

A Fabergé workmaster is a craftsman who owned his own workshop and produced jewelry, silver or objets d’art for the House of Fabergé When Carl Fabergé took over the running of the business in 1882, its output increased so rapidly that the two Fabergé brothers could not manage all the workshops themselves. They therefore decided to establish independent workshops. The owners of these were committed to only work for the House of Fabergé that would supply the sketches and models of the objects to be made. Nothing would be accepted by the House unless it had been approved by either Carl or his appointed deputy. The House of Fabergé also employed its own designers. However we also know from the Memoirs of François Birbaum written in 1919 (Birbaum was Head Designer of the House of Fabergé from 1896-1917), that Carl also designed himself.
The workmasters, presided over teams of craftsmen and were responsible for executing pieces conceived by the company’s designers. The House of Fabergé was staffed with some of the finest goldsmiths and jewelers available.
It is often said that Fabergé did not make anything produced by the House of Fabergé. It is true that nothing has survived that can be said to have been the work of Carl Fabergé, which is a little different from saying he never made anything. His father, Gustav Fabergé and the founder of the House of Fabergé, ensured that his eldest son received the best possible training to take over the business. After Carl’s education in St Petersburg, this was followed by a course at the Arts and Crafts School in Dresden, the city to which his parents had retired. He then embarked on an eight year Grand Tour of Europe where he received tuition from respected goldsmiths in Germany, France and England. The ‘apprenticeship’ with these goldsmiths would have resulted in Carl working at the bench and producing objects.
When Carl returned to the House of Fabergé in St Petersburg during 1872 his father’s trusted Workmaster Hiskias Pendin acted as his mentor and tutor. This would also have involved Carl working at the bench and producing objects. Interestingly, when he was awarded the title Master Goldsmith in 1882, his reputation was then so high that the usual three-day examination was waived. This would not have happened if he had never made anything.
The business was divided into several workshops, each with its own specialty. In addition to the fabulous easter eggs, the workshop also produced table silver, jewelry, European-style trinkets, and Russian-style carvings. The two master jewelers most responsible for making the Fabergé eggs were Michael Perchin and Finnish-born Henrik Wigström. Born in 1860, Perchin became the leading workmaster in the House of Fabergé in 1886 and supervised production of the eggs until 1903. Those eggs he was responsible for have his MP (MP- Michael Perchin) markings. All signed eggs made after 1903 bear Henrik Wigstrom’s HW mark. Of course, not all eggs were stamped, so other goldsmiths may have supervised production of some of the eggs. Altogether there have been more than 40 workmasters.

Early Posy Ring

Peter Szuhay — Wed, 25 Apr 2012 21:54:26 +0000

Early gold posy ring.Ca 1680 , engraved inside ” live to love eternally ” Size “O”+1/2. Weight 1.9 gr

Roman Gold Intaglio Ring

Peter Szuhay — Wed, 25 Apr 2012 20:45:15 +0000

Roman gold and carnelian intaglio ring.The carnelian intaglio of the bearded male wearing the Phrygian cap is probably, Mithras. Mithras was a Persian deity. He was also the most widely venerated god in the Roman Empire at the time of Jesus.Mithratic mysteries are often held as the origins of Christianity.The gold ring and intaglio is from the third century A.D.

Ancient scarab in nineteenth century gold mount

Peter Szuhay — Wed, 25 Apr 2012 20:41:46 +0000

Ancient aventurine scarab ca 1500 B.C. set in high carat gold with inscription inside in French “Mon sang teint les banniers de France” /my blood taints the banner of France/
The scarab was probably brought back from Egypt by a French soldier of the Egyptian campaign by Napoleon and on return was set into a ring. Ring is unmarked, ca 1820.
Size “M” US 6+1/4 Weight:13 gram

18th CENTURY BRACELET

Lowther Antiques — Sun, 22 Apr 2012 19:08:55 +0000

A very early bracelet in silver, set with paste stones and carved black jet.

FRENCH NECKLET AND EARRINGS BOXED SET

Lowther Antiques — Sun, 22 Apr 2012 18:47:45 +0000

A beautiful and rare set of jewellery, from the Normandy region of France. In 18ct gold and silver it has the appearance of lace. The larger diamonds are set in gold, and are surrounded by small silver flowers, inset with small diamonds.

Silver Filigree and Enamel Cross

Peter Szuhay — Sun, 01 Apr 2012 15:25:21 +0000

Silver Filigree and Enamel Cross. European ca 1790

Gold and silver, paste ring

Peter Szuhay — Sun, 01 Apr 2012 14:14:18 +0000

Ca 1820 paste ring .Silver and gold

Sixteenth Century Silver Gilt devotional reliquary cross-pendant

Peter Szuhay — Sun, 01 Apr 2012 14:05:15 +0000

Sixteenth Century Silver Gilt devotional reliquary cross-pendant. Probably German ca 1580-1600. Size 5.5 cm